Oktober 1568 in Paris): frankoflämischer Sänger und Komponist. Ihr Warenkorb enthält nun 1 Artikel im Wert … Composer: Jacques Arcadelt Lyricist: Number of voices: 4vv Voicing: SATB Genre: Secular, Madrigal. First published: 1558. Trauerspruch 583 Der weiße, stolze Schwan. Stellen- und Ausbildungsangebote in Bamberg in der Jobbörse von inFranken.de Wann gilt der eBay-Käuferschutz?. Io ho nel cor un gelo 9. [20][21], Since Arcadelt lived both in France and Italy, and wrote secular music in both places, his chansons and madrigals not unexpectedly share some features. Music in the Renaissance. All his extant chansons come from this period. Plauderecke bei Baby-Vornamen.de mit dem Titel 'Unser Überraschungsei... (2ter Teil)', erstellt von Viktoria. He later composed a variety of madrigals. Jacques Arcadelt/Heinrich Isaac (2015) by Noël Akchoté, released 06 June 2018 1. Tests mit Jacques arcadelt il bianco e dolce cigno. New York: W. W. Norton & Company, Inc., 1967. p. 67. International Music Score Library Project, https://en.wikipedia.org/w/index.php?title=Jacques_Arcadelt&oldid=978319630, Pages containing links to subscription-only content, Articles with Encyclopædia Britannica links, Articles with International Music Score Library Project links, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Numerous other madrigals in other collections, and in manuscript, 1537 to 1559, Numerous individual compositions published between 1532 and 1555; motets in Latin and sacred chansons in French. Perkins, Leeman L. Music in the Age of the Renaissance. [8] In 1557 he published a book of masses, dedicated to his new employer, Charles de Guise, Cardinal of Lorraine (Arcadelt was maître de chapelle, i.e. Language: Italian Instruments: A cappella . Arcadelt from…, Ahime, dov' è'l bel viso, madrigal for 4 voices, S. 2/1, Alma perchè si trist', madrigal for 4 voices, S. 2/3, Amor tu sai pur far, arrangement of madrigal for voice & vihuela (by Enríquez de Valderrábano), Amorosetto fiore, madrigal for 6 voices, S. 7/42, Amour se plaint de ton forfait, chanson for 4 voices, S. 9/79, Ancidetemi pur, grievi martiri, madrigal for 4 voices, S. 2/5, At trepida et cœptis, ode for 4 voices, S. 8/54, Au temps heureux que ma jeune, chanson arranged for guitar (by Guillaume Morlaye), Ave Maria, for chorus (ascribed to Arcadelt, not authentic), Il bianco e dolce cigno, madrigal for 4 voices, S. 2/18, Il bianco e dolce cigno, arrangement of madrigal for string consort, Che più foc' al mio foco, madrigal for 4 voices, S. 2/8, Che poss' io più se'l cielo, madrigal for 5 voices, S. 7/7, Chiare, fresch' e dolce acque (5), madrigal for 5 voices, S. 7/54, Il ciel che rado virtù tanta mostra, madrigal for 4 voices, S. 2/19, Contentez vous, heureuses violettes, chanson for 4 voices, S. 8/19, Crudel' ascerb' inesorabil morte, madrigal for 5 voices, S. 7/3, Da bei rami scendea, madrigal for 4 voices, S. 7/30, Da si felice sorte, madrigal for 4 voices, S. 3/24, De mes ennuys prenes, chanson for 4 voices, S. 9/90, Deh dimm' amor se l'alma, madrigal for 4 voices, S. 2/11, Deh fuggite, o mortali, madrigal for 4 voices, S. 3/4, La Diane que je serts ne court plus, chanson for 4 voices, S. 9/82, Dieu inconstant pourquoy, chanson for 3 voices, S. 8/35, Dolce nimica mia, madrigal for 4 voices, S. 5/18, Domine non secundum peccata nostra (3), motet for 3-5 voices, S. 10/10, Donna quando pietosa, instrumental arrangement of madrigal, Du temps que j'estois amoureux, chanson for 4 voices, S. 9/99, Elle a voulu serviteur, chanson for 4 voices, S. 9/92, En ce mois délicieux, chanson for 4 voices, S. 9/117, Entendez vous point vostre amy, chanson for 4 voices, S. 8/11, L'er gravat' e l'importuna nebbia, madrigal for 4 voices, S. 7/56, Estote fortes in bello (2), antiphon for 6 voices, S. 10/6, Extreme amour est emtre moy et elle, chanson for 4 voices, S. 9/118, Felici amanti, voi che d'amour lieti, madrigal for 4 voices, S. 7/22, Filiae Jerusalem, motet for 4 voices, S. 10/8, Franc berger pour soulanger, chanson for 4 voices, S. 8/49, Gloriosae Virginis Mariae (2), alleluia for 5 voices, S. 10/17, Hélas amy que ta longue demeure, chanson for 4 voices, S. 8/52, Hor che'l ciel e la terra, madrigal for 4 voices, S. 4/24, I vaghi fiori e l'amorose fronde, madrigal for 4 voices, S. 7/46, Io mi pensai che spento fusse'l foco, madrigal for 4 voices, S. 2/25, Io non ardisco di levar più gli occhi, madrigal for 4 voices, S. 7/21, Io son tal volta donna per morire, madrigal for 4 voices, S. 5/39, Istorum est enim (2), motet for 7 voices, S. 10/15, J'ay acquis un serviteur (2), chanson for 4 voices, S. 9/102, Laissés la verde couleur, chanson for 4 voices, S. 9/69, Lamentationes Jeremiae, for 4 and 5 voices in 3 books, S. 10/25-27, Madonna, s'io v'offendo, madrigal for 4 voices, S. 2/31, Mais de quoy sert le desirer, chanson for 4 voices, S. 9/75, Margot labourez les vignes, chanson for 4 voices, S. 8/42, Il me prend fataisie de vous dire, chanson for 4 voices, S. 8/10, Memento salutis auctor, motet for 4 voices, S. 10/12, Mentre gli ardenti rai, madrigal for 4 voices, S. 7/31, Missa Ave regina coelorum, mass for 5 voices, S. 1/2, Mon coeur en moy plus, chanson for 3 voices, S. 8/46, Non mai semptre fortuna, madrigal for 5 voices, S. 7/8, Nous boirons du vin clairet, chanson for 4 voices, S. 8/56, Nous voyons que les hommes, chanson for 3 voices, S. 8/44, Nuptiae factae sunt, motet for 6 voices (MS 229, Stralsund Municipal Archives), O felic' occhi miei, madrigal for 4 voices, S. 2/37, O felic' occhi miei, madrigal arranged for lute (by Perino Fiorentino), O le grand bien, chanson for 4 voices, S. 9/77, O pulcherrima mulierum, motet for 5 voices, S. 10/4, Occhi miei lassi, mentre ci'io vi giro, madrigal for 4 voices, S. 2/36, La pastorella mia, chanson for 3 voices, S. 8/37, Pater noster, hymn for 8 voices, S. 10/16, Poscimur, si quid vacui, ode for 3 voices, S. 9/65, Quand je me trouve (II), chanson for 4 voices, S. 8/40, Quand je me trouve (III), chanson for 5 voices, S. 9/124, Quand' io pens' al martire, madrigal for 4 voices, S. 2/44, Quand' io pens' al martire, madrigal arranged for lute (by Albert de Rippe), Quand' io pens' al martire, madrigal arranged for lute (by Francesco da Milano), Quando col dolce suono, madrigal for 4 voices, S. 2/45, Quanta beltà, arrangement of madrigal for lute (by Francesco da Milano), Quanti travagli e pene, arrangement of madrigal for lute (by Perino Fiorentino), Recordare Domine, response for 5 voices, S. 10/5, Robin par bois et campagnes, chanson for 4 voices, S. 9/108, Sa grand beauté, chanson for 3 voices, S. 9/107, Salve Regina (3), antiphon for 5 voices, S. 10/13, Se la dura durezza in la mia donna, madrigal for 4 voices, S. 2/52, Se per colpa del vostro fiero sdegno, madrigal for 4 voices, S. 2/54, Se'l foco in cui sempr' ardo (II), madrigal for 5 voices, S. 7/2, Si grand è la pietà, madrigal for 4 voices, S. 5/2, Si la beauté de ma dame, chanson for 5 voices, S. 8/8, Solo e pensoso, madrigal for 4 voices, S. 7/11, Tante son le mie pene, madrigal for 4 voices, S. 6/18, Tout au rebours de mon affaire, chanson for 5 voices, S. 8/14, Tutt' il di piango e poi la notte, madrigal for 4 voices, S. 5/36, Ver' inferno è'l mio petto, madrigal for 4 voices, S. 1/56, Vielle plus vielle, chanson for 3 voices, S. 9/125, Voi mi poneste in foco, madrigal for 3 voices, S. 7/59, Vous n'aurez plus mes yeux, chanson for 4 voices, S. 8/30, Work(s), Madrigals for 3-6 voices, S. 2-7, Le yeux qui me sçeurent prendre, chanson for 4 voices, S. 8/33. 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